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 Classical MythologyCLA 1-216-97
      
      
        College Hall 013
      
      
        Cornell CollegeInstructor:  John Gruber-Miller, 312 College Hall; phone: 
        x4326; email: grubermiller 
       Class meetings: M-F 9-11:15 a.m.; three afternoons each week, 
        usually M T W 1-3 p.m. 
       Office Hours: M W F 11:15-12 noon and always by appointment. 
        Resources | Argos 
        
        
          Metamorphoses Project: | Template 
          1 | Template 2 
        
        
          Student Feedback 
        
        
          Achilles | Apollo 
          | Athena | Demeter 
          | Helen  Required Texts:Robert Fagles, trans. Homer. The Iliad. Penguin, 1990.Stephanie, Dalley, trans. Myths from Mesopotamia. Creation, The Flood, 
      Gilgamesh, and Others. Oxford, 1989.
 Stanley Lombardo, trans. Hesiod. Works and Days and Theogony. Hackett, 
      1993.
 David Grene and Richmond Lattimore, eds. Euripides II (The Cyclops, Heracles, 
      Iphigenia in Tauris, Helen). Chicago, 1952.
 A.D. Melville, trans. Ovid. Metamorphoses. Oxford, 1986.
 Susan Shelmerdine, trans. Homeric Hymns. Focus, 1995.
 
  Goals:
         Introduction to the some of the most famous and most important myths, 
          legends, and folktales of the ancient world. Introduction to the literature of ancient Greece and Rome. Understanding of how to read various types of literature and how 
          to interpret myths, legends, and folktales. Understanding of the relationship between ancient and modern myth, 
          and why myths continue to speak to us today. Opportunity to explore important human questions about divinity and 
          humanity, life and death, female and male, rational and irrational, 
          freedom and necessity, etc. Opportunity to improve both your verbal and written communication 
          skills. Ability to gather, use, and evaluate materials both from the library 
          and the World Wide Web. Ability to create and publish a project on the WWW using basic HTML 
          code.  Requirements:A daily journal assignment will be graded on completeness (one entry 
      per class day) and on the degree to which you actively engage the 
      material in your personal reflections. This journal is for you to ask questions 
      and make comments about the course: to explore ideas generated by the readings, 
      make connections with your own life, and to reflect on your progress doing 
      research in the library and the WWW. Each entry should be written before 
      we discuss a text in class. This will not only help you grapple with the 
      text on your own terms, but it will help prepare you to participate actively 
      in class.Class discussion: I hope to foster an atmosphere in which students 
        are free to speak their minds. We all (myself included) bring different 
        backgrounds, preparation, theoretical perspectives, and values to this 
        course. We all will learn from many sources: our common readings, each 
        other, our discussions, and our research. It is, therefore, crucial to 
        the success of the course that everyone show respect and courtesy to everyone 
        else in the class, and a willingness to help each other learn and approach 
        this material from new perspectives. 
       Informal writing assignments of various types based on class readings 
        (approximately one for each section of the course). These essays are meant 
        to be a chance to examine your own views, values and biases within the 
        light of various readings. These topics will be announced in advance. 
        Always make sure you keep a copy of your papers until after the course 
        is over. I will not be responsible for losing the only copy of your paper. 
       Metamorphoses Project on the transformation 
        of myth through time. In order to understand mythology in antiquity and 
        its enduring relevance, groups of four students each will research one 
        divinity or hero. More detailed instructions will be handed out later, 
        but basically the project will involve the following steps: 
       
        Final Exam.  Study questions. research (both in the library and on the WWW) and analysis of the 
          various Greek myths concerning a particular divinity or hero; research (both in the library and on the WWW) and analysis of the 
          various later transformations of myth concerning the same figure; exploration (both in the library and on the WWW) of the intersection 
          between cult and mythology for the same figure, or discovery of a parallel 
          figure in another society's mythology; creative project by the group showing their response to the divinity 
          or hero they have researched. It may take the form of artwork, drama, 
          music, story, video, etc. Ideally, it should engage one's mind, heart, 
          and spirit. 
  Grading:40% class participation, daily journal, and informal written assignments40% web project on a divinity or hero
 20% final exam
 
  Schedule of Topics and Readings Section I: The Experience of a Hero:Day 1:    First definitions of "myth," "legend" and 
        "folklore"Iliad, Bk 1: The wrath of a hero 
         
          
            Mythological 
            Background to Homer's Iliad, by Prof. John Porter.
          
        
        Day 2:     Iliad, Bks 2 and 3: Definition of 
        a hero: Male and Female
 Day 3:     Iliad, Bks 6, 9, 11: Friends, 
          Family, Peers Excellence:  How does Homer define it for men and women?  
              Who in particular exemplifies excellence in Homer, both male and 
              female?  Why?  How do you respond to Homer's definition?  
              Do you agree or disagree?  How would you define excellence 
              in your own life?  Can you think of anyone today who exemplifies 
              your definition of excellence?
          
        
        
          Sample Student Essay 1 | Sample 
          Student Essay 2Informal Writing Assignment #1 DUE:
 Day 4:     Iliad, Bks 14, 16, and 18: On 
          the battlefield--war, love, injury, death 
         Day 5:     Iliad, Bks 22-24: Rage and Compassion 
          Metamorphoses Project, Part 1A, due: Greek versions of the myth
 Day 6:     Gilgamesh, Tablets 1-6: Hero 
          and Friend.  Study Guide for Gilgamesh 
          Metamorphoses Project, Part 1B, due: analysis of Greek versions 
          of the myth
 Day 7:     Gilgamesh, Tablets 7-12: Quest 
          for Immortality Death and Dying:  All human beings experience deep feelings 
              (e.g., denial, anger, resignation, etc.) when a loved one dies.  
              The challenge is how do human beings cope with these emotions.  
              How does Achilles cope with death of Patroclus and his own mortality?  
              How does it compare with how the Trojans deal with the death of 
              Hector?  How does Gilgamesh deal with Enkidu's death and his 
              own mortality?  Are there parallels between the Homeric and 
              Mesopotamian ways of dealing with the death of a loved one?  
              Have you experienced the loss of someone dear to you?  How 
              did that experience compare with what we have read in the Iliad 
              or Gilgamesh?  Does the experience of Achilles, the 
              Trojans, and/or Gilgamesh--their questions, feelings, rituals--offer 
              any answers for us today? 
              
                Sample Student EssayInformal Writing Assignment #2 DUE
  Section II: CreationDay 8:     Hesiod's Theogony: Genealogy 
        and Cosmogony.  Study Guide for TheogonyDay 9:     Enuma Elish: the Contest for 
          Creation Genesis 1-11: How many creation stories?  Study 
          Guide for Creation
 Day 10:    Ovid, Metamorphoses, Bk 1: A rationalized 
          version of creation? Metamorphoses Project, Part 2A, due: later versions of the myth
 Day 11:    Homeric Hymn to Demeter: Demeter and 
          the Eleusinian Mysteries.  Study Guide for 
          Demeter Metamorphoses Project, Part 2B, due: analysis of later versions 
          of the myth
 Day 12:    Homeric Hymn to Apollo: Apollo's oracle 
          at Delphi.  Study Guide for Apollo Creation and Knowledge:  What makes a creation myth a 
                creation myth?  One way is to say that creation myths answer 
                key questions that we as human beings need to understand their 
                place in the cosmos.  What are the questions answered by 
                Theogony, Enuma Elish, Genesis, and Metamorphoses?  
                Are these answered in the Hymn to Demeter or the Hymn to Apollo.  
                Choose either the Hymn to Demeter or to Apollo.  Can it be 
                considered a creation story?  What elements are present in 
                the hymn that are also present in the other creation myths we 
                have read?  What questions would you want answered in a creation 
                myth?  How would you want them answered?Informal Writing Assignment #3 DUE
  Section III: Metamorphoses of MythDay 13:    Euripides' Helen: Phanton, femme-fatale, 
        or faithful wife?Day 14:    Euripides' Heracles: Divine or human 
          madness? 
         Day 15:    Ovid, Metamorphoses, Bks 8-9: Helen, 
          Heracles, etc. Metamorphoses Project, Part 3, due: cultic connection or parallel 
          in world mythology
 Day 16:    Ovid, Metamorphoses, Bks 5-6 and 12: Ovid's 
          transformation of Demeter, Athena, and the Trojan War 
         Day 17:    Creative Projects due; Metamorphoses Project completed
 Day 18:    Final Exam.   Study 
          questions. 
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